THE ART OF WATER VITALIZATION: A MUSICAL COMPARISON

 
 
 
 

THE ART OF WATER VITALIZATION: A MUSICAL COMPARISON

Introduction

Refining the structure of water to create high-quality spring water requires sound knowledge and engineering skills, as this clearly involves the generation, transmission and amplification of frequencies in the medium of water. This is done using devices for vitalizing, energizing or structuring water. This blog article is intended to explain the complex functioning of these devices using various similes with musical instruments, because musical instruments involve exactly the same process, only in a different frequency range, the one we can hear.

The different shapes and designs of musical instruments are primarily due to the sound space in which they are intended to work. A great deal of knowledge, craftsmanship and the right materials are required to produce harmonious, complex frequency patterns (melodies) with a musical instrument. With a musical instrument, frequencies (tones) are generated by its specific construction and material and transferred to the medium of air. In our example of water vitalization, we work with frequencies in a higher range that we cannot hear, which are transmitted to the medium of water. Since water reacts as a dipole to electromagnetic fields, it is a carrier for frequencies, just like air. However, the physical laws that apply to musical instruments also apply to the entire frequency range, i.e. also to vitalization devices for water. The comparison is therefore more than valid, both scientifically and in terms of craftsmanship.

The importance of form and geometry

When we talk about vitalizing water, we are talking about changing the structure and physical quality of the water. This is achieved primarily through frequencies that are generated, amplified, extinguished or stored in the water. The shape of the device is therefore the first important component when analysing how water revitalization works. With a musical instrument, we intuitively know that the shape and geometry are decisive for the sound. A trumpet sounds different from a tuba, a violin different from a cello. This is not only due to the external shape, but also to the size of the resonating body. A shorter instrument produces higher frequencies, while a longer one or one with a larger resonating body produces deeper, "bassier" sounds. It is similar with water vitalizers. The shape and geometry are decisive for which frequencies are emitted or amplified into the water. 

Just as the shape and geometry of every musical instrument is chosen according to the frequency range, there are also geometries that are particularly suitable for the frequency range in water. The angle of the water molecule of 104.8° is best suited to generate excellent resonances with the medium water. This geometry is ideal for amplifying and harmonizing frequencies in water, as it is in perfect resonance with the angular geometry of the water molecule. Interestingly, this angle, like its half angle of 52.4°, can already be found in antiquity and especially in the pyramids of Giza. 

The importance of the material

Water vitalizers work with frequencies that are not audible, but nevertheless exist and follow the same physical laws of resonance and harmony as audible sounds. The material of the device is therefore particularly important. This quickly becomes clear if we again make the comparison with a musical instrument. Imagine, for example, a trumpet made of stainless steel. It would sound "tinny" and would never produce such clear tones as a trumpet made of brass. The choice of the right material for the desired musical instrument is therefore of fundamental importance. For a Stradivarius violin it is the wood of resonance spruce from the Paneveggio forest, trumpets are made of brass and a water vitalizer should be made of brass, copper or gold, as these materials have the best vibrational properties for the desired purpose.

Precision and processing quality

The construction of musical instruments is based on the principles of acoustics and physics. In addition to the correct shape and the choice of the right material, precision and quality of workmanship are also particularly important. Just imagine a trumpet with many dents, it would hardly be able to produce the clear, clean sound over the entire frequency range as if it were undamaged. The desired harmony of frequencies is only possible through precise tuning of the individual components and flawless workmanship and construction. This is why precision in manufacturing is just as important for a water vitalizer as it is for a professional musical instrument.

Frequency carrier

In contrast to musical instruments, which produce sounds by vibrating the resonance chamber due to their design and material, targeted frequencies can also be added during water vitalization. These are already present in the device on frequency carriers. Gemstones are used here, among other things, which generate frequencies due to their measurable piezoelectric properties. Targeted frequencies can also be placed on carrier materials such as special waters and metals in the device. If these frequency carriers are integrated into the devices in the correct place and with the resonating frequencies, they reinforce the entire process of frequency formation and help to generate new frequencies, similar to chords that also resonate with the frequencies already present in the device.

Individual frequency responses

In a trumpet, the air is passed through various frequency responses (valve loops), which then change the length of the frequency band through the valves, thereby changing the pitch. If a trumpet did not have these valves and frequency responses, you could only play a maximum of eight natural tones with it. With water vitalization, a similar extension of the possible frequencies (tones) is achieved by splitting the water flow into partial flows that flow through individual chambers. In these chambers, the frequency space is then expanded or amplified by consciously placing frequency carriers, as it is possible to act on an enlarged surface of the water. Similar to a trumpet, where practised playing with the valves produces the right sound, the precise combination of frequency carriers and frequency band is the secret of the right "sound" with the water vitalizers.

Turbulence

Let's stick with the example of a brass instrument. The air flowing through the instrument should be as unhindered as possible and only be changed passively or actively by the player at the designed points. In the case of water, smooth flow is achieved by centripetal turbulence of the water. This is achieved by the hyperbolic geometry of the device. This allows the water to flow through the device in the best possible way and generates the kinetic energy required to cause the resonance chamber to vibrate. Again, imagine the sound that comes out of a trumpet if you just blow into it or play it correctly. A clean sound can only be produced if the mouthpiece is blown correctly and with sufficient force. Correct turbulence is responsible for this in water vitalization. Only in this way can unwanted frequencies in the water be deleted and new frequencies stored. In nature, water moves according to precisely this flow process, whereby it is constantly regenerated and charged with frequencies on its way from the mountain to the valley.

Conclusion

For us at LEOGANT, water vitalization is as much a masterpiece of construction and engineering as a Stradivarius violin. In addition to the right shape, material and quality of workmanship, it takes a great deal of knowledge to produce a truly high-quality device for physical water treatment. Because even with the right construction plans and the right material, no high-end musical instrument is created without the master builder and his experience. We are proud to have found a master builder of this class of equipment in UMH and to have been working with UHM for over 15 years. UMH vitalizers are the central element of our holistic, exclusive water concepts. 

The special thing is that even if you don't understand how it works and how it is built, you can always hear the result of a masterful musical instrument. Water vitalization is no different, you can simply taste it. The softness and freshness of the water from a masterful water revitalization system is reminiscent of the unmistakable quality of mountain water, and that for many years.

 

 

About the author:
Thomas Hartwig is a certified medical nutritionist and founder of the company Leogant. For many years he has been intensively involved with the element of water. He is a valued keynote speaker and guest on podcasts where he shares his knowledge and experiences. In his work he combines findings from natural science and medicine with philosophical approaches to contribute to a holistic water awareness.

 

 
 
 
Thomas Hartwig